Alex: Prog, or progressive rock, is perhaps one of the most maligned genres in history, particularly in punk’s aftermath. This is probably due to one man more than any other - Rick Wakeman - whose excursions into the genre verge on the absurd. This is the man whose music sound-tracked on ‘on ice’ spectacular and whose albums attempt to capture the life of Henry XIII. Yet when you replace the words pointless pretension with the genres true aim, ruthless experimentalism, you are far closer to getting a handle on what prog means, and why it is an incredible genre to lose yourself in. Most of the fun the the exploration itself, discovering new bands and revelling in the worlds they create. No band is better at creating worlds than the sublime French act Magma. From bleak post-apocalytic soundscape, to operatic explosions, to jazzy textures, to through-going classic minimalism. From the blast of the drums, the infinite depth of the horns, to the insane vocals to the Miles Davis fusion sound of their early work - they are beyond reproach. The albums are sung in Kobaïan, a language created by their drummer Christian Vander to explain the story of the planet Kobaïa. It preceded Sigur Rós’ hopelandish constructed language by thirty years. Pretentious, yes. Brilliant, yes.
After all as John Lydon of the Sex Pistols and (the far, far better) Public Image Limited supposedly said there is only so long you can resist the lure of prog… There is no doubt in the line of influence here - PiL where certainly listening to the same elements of the avant garde as the prog pioneers when they made the fantastic and post-punk defining “Metal Box” record.
So leave your cool at the door and get into Zehl or the amazing bands that formed the Rock in Opposition movement. Then get into their heirs, such as Present, Miasma & The Carousel Of Headless Horses and Guapo. Only by listening will you realise that in fact you really are that cool. No scene, no money - all art.